They don't make me stop thinking. There's always... a level of analysis, out in nature. If nothing else, I'll tend to catalogue flora and fauna as I go... look for signs of tracks... estimate wind speed and direction. With music, as well, there's always historical context to consider, and all the technicalities, the theory... it's not just instinct, just sensation. I'm used to relying on both of those—instinct and senses—as tools. But not losing myself in them.